Las Flores Rotas

Blog de poesía

 

Paisaje del puente de londres
Whistler, "London Bridge" (1881)




Kneel down, fair Love, and fill thyself with tears,Girdle thyself with sighing for a girthUpon the sides of mirth,Cover thy lips and eyelids, let thine earsBe filled with rumour of people sorrowing;Make thee soft raiment out of woven sighsUpon the flesh to cleave,Set pains therein and many a grievous thing,And many sorrows after each his wiseFor armlet and for gorget and for sleeve.
O Love's lute heard about the lands of death,Left hanged upon the trees that were therein;O Love and Time and Sin,Three singing mouths that mourn now underbreath,Three lovers, each one evil spoken of;O smitten lips wherethrough this voice of mineCame softer with her praise;Abide a little for our lady's love.The kisses of her mouth were more than wine,And more than peace the passage of her days.
O Love, thou knowest if she were good to see.O Time, thou shalt not find in any landTill, cast out of thine hand,The sunlight and the moonlight fail from thee,Another woman fashioned like as this.O Sin, thou knowest that all thy shame in herWas made a goodly thing;Yea, she caught Shame and shamed him with her kiss,With her fair kiss, and lips much lovelierThan lips of amorous roses in late spring.
By night there stood over against my bedQueen Venus with a hood striped gold and black,Both sides drawn fully backFrom brows wherein the sad blood failed of red,And temples drained of purple and full of death.Her curled hair had the wave of sea-waterAnd the sea's gold in it.Her eyes were as a dove's that sickeneth.Strewn dust of gold she had shed over her,And pearl and purple and amber on her feet.
Upon her raiment of dyed sendalineWere painted all the secret ways of loveAnd covered things thereof,That hold delight as grape-flowers hold their wine;Red mouths of maidens and red feet of doves,And brides that kept within the bride-chamberTheir garment of soft shame,And weeping faces of the wearied lovesThat swoon in sleep and awake wearier,With heat of lips and hair shed out like flame.
The tears that through her eyelids fell on meMade mine own bitter where they ran betweenAs blood had fallen therein,She saying; Arise, lift up thine eyes and seeIf any glad thing be or any goodNow the best thing is taken forth of us;Even she to whom all praiseWas as one flower in a great multitude,One glorious flower of many and glorious,One day found gracious among many days:
Even she whose handmaiden was Love—to whomAt kissing times across her stateliest bedKings bowed themselves and shedPale wine, and honey with the honeycomb,And spikenard bruised for a burnt-offering;Even she between whose lips the kiss becameAs fire and frankincense;Whose hair was as gold raiment on a king,Whose eyes were as the morning purged with flame,Whose eyelids as sweet savour issuing thence.
Then I beheld, and lo on the other sideMy lady's likeness crowned and robed and dead.Sweet still, but now not red,Was the shut mouth whereby men lived and died.And sweet, but emptied of the blood's blue shade,The great curled eyelids that withheld her eyes.And sweet, but like spoilt gold,The weight of colour in her tresses weighed.And sweet, but as a vesture with new dyes,The body that was clothed with love of old.
Ah! that my tears filled all her woven hairAnd all the hollow bosom of her gown—Ah! that my tears ran downEven to the place where many kisses were,Even where her parted breast-flowers have place,Even where they are cloven apart—who knows not this?Ah! the flowers cleave apartAnd their sweet fills the tender interspace;Ah! the leaves grown thereof were things to kissEre their fine gold was tarnished at the heart.
Ah! in the days when God did good to me,Each part about her was a righteous thing;Her mouth an almsgiving,The glory of her garments charity,The beauty of her bosom a good deed,In the good days when God kept sight of us;Love lay upon her eyes,And on that hair whereof the world takes heed;And all her body was more virtuousThan souls of women fashioned otherwise.
Now, ballad, gather poppies in thine handsAnd sheaves of brier and many rusted sheavesRain-rotten in rank lands,Waste marigold and late unhappy leavesAnd grass that fades ere any of it be mown;And when thy bosom is filled full thereofSeek out Death's face ere the light altereth,And say "My master that was thrall to LoveIs become thrall to Death."Bow down before him, ballad, sigh and groan,But make no sojourn in thy outgoing;For haply it may beThat when thy feet return at eveningDeath shall come in with thee.






Swinburne (1837-1909). Poems and ballads. London: William Heinemann, 1917.
Older Posts

Buscar este blog

Blog archive

  • junio 2025 (10)
  • mayo 2025 (12)
  • abril 2025 (5)
  • marzo 2025 (6)
  • febrero 2025 (12)
  • enero 2025 (14)
  • diciembre 2024 (13)
  • noviembre 2024 (13)
  • junio 2024 (3)
  • mayo 2024 (4)
  • abril 2024 (1)
  • diciembre 2023 (5)
  • noviembre 2023 (8)
  • octubre 2023 (11)
  • septiembre 2023 (9)
  • agosto 2023 (10)
  • julio 2023 (8)
  • junio 2023 (5)
  • mayo 2023 (5)
  • abril 2023 (6)
  • marzo 2023 (5)
  • febrero 2023 (5)
  • enero 2023 (8)
  • diciembre 2022 (7)
  • noviembre 2022 (5)
  • octubre 2022 (9)
  • septiembre 2022 (5)
  • agosto 2022 (5)
  • julio 2022 (7)
  • junio 2022 (4)
  • mayo 2022 (4)
  • abril 2022 (2)
  • marzo 2022 (2)
  • enero 2022 (1)
  • diciembre 2021 (1)
  • noviembre 2021 (1)
  • agosto 2021 (2)
  • julio 2021 (4)
  • junio 2021 (2)
  • mayo 2021 (1)
  • diciembre 2020 (1)
  • noviembre 2020 (3)
  • octubre 2020 (1)
  • septiembre 2020 (1)
  • agosto 2020 (1)
  • julio 2020 (2)
  • mayo 2020 (2)
  • marzo 2020 (4)
  • febrero 2020 (4)
  • enero 2020 (3)
  • octubre 2019 (1)
  • septiembre 2019 (1)
  • agosto 2019 (1)
  • diciembre 2018 (1)
  • noviembre 2018 (1)
  • octubre 2018 (2)
  • abril 2018 (1)
  • enero 2018 (1)
  • diciembre 2017 (5)
  • noviembre 2017 (7)
  • octubre 2017 (4)
  • septiembre 2017 (2)
  • agosto 2017 (10)
  • julio 2017 (9)
  • junio 2017 (12)
  • mayo 2017 (10)
  • abril 2017 (4)
  • marzo 2017 (2)
  • febrero 2017 (8)
  • enero 2017 (9)
  • diciembre 2016 (3)
  • noviembre 2016 (9)
  • octubre 2016 (6)
  • septiembre 2016 (1)
  • julio 2016 (1)
  • junio 2016 (4)
  • mayo 2016 (1)
  • junio 2014 (2)
  • mayo 2014 (2)
  • diciembre 2013 (5)
Con la tecnología de Blogger.

Labels

  • Adam Zagajewski (2)
  • Adriana Cupul Itzá (1)
  • Aída Valdepeña (1)
  • Alan Valdez (1)
  • Alberto Barrera Tyszka (1)
  • Alejandra Pizarnik (3)
  • Alejandro Castro (1)
  • Alejandro Oliveros (1)
  • Alfonsina Storni (2)
  • Alfonso Reyes (1)
  • Alfredo Chacón (2)
  • Amado Nervo (1)
  • Amanda Berenguer (1)
  • Ana Enriqueta Terán (2)
  • Andrea Leal (1)
  • Andrés Eloy Blanco (2)
  • Anna Ajmátova (2)
  • Antonia Palacios (2)
  • Antonio Colinas (2)
  • Antonio Machado (1)
  • Antonio Porchia (1)
  • Armando Rojas Guardia (3)
  • Armando Uribe (2)
  • Arte (1)
  • Arthur Schopenhauer (1)
  • Attila József (1)
  • Avelina Lésper (1)
  • Bertolt Brecht (5)
  • Blanca Varela (1)
  • Caneo Arguinzones (2)
  • Carl Sandburg (3)
  • Carlos Drummond de Andrade (2)
  • Carlos Pellicer (1)
  • Caupolicán Ovalles (1)
  • Cavafis (2)
  • Cecilia Ortiz (1)
  • Cees Nooteboom (1)
  • César Vallejo (4)
  • Charles Baudelaire (2)
  • Charles Bukowski (1)
  • Cine (5)
  • Cristina Larco Briceño (1)
  • Cristina Peri Rossi (1)
  • Czeslaw Milosz (2)
  • D.H. Lawrence (1)
  • Darío Lancini (1)
  • Deisa Tremarias (1)
  • Denise Levertov (1)
  • Derek Walcott (2)
  • Descargable (1)
  • Diarios (1)
  • Donnalyn Xu (2)
  • Dorothea Lasky (1)
  • E. R. Dodds (1)
  • e.e. Cummings (2)
  • Edith Sodergran (7)
  • Efraín Barquero (1)
  • Efraín Hurtado (1)
  • Eliseo Diego (1)
  • Elizabeth Bishop (1)
  • Elizabeth Schön (1)
  • Emily Dickinson (4)
  • Enrique Cejudo (2)
  • Enrique Lihn (1)
  • entrevista (2)
  • Enza García Arreaza (1)
  • Erika Reginato (1)
  • Ernesto Cardenal (1)
  • Esdras Parra (1)
  • Eugenio Montale (1)
  • Eugenio Montejo (5)
  • Extracto (19)
  • Ezra Pound (2)
  • Fadir Delgado Acosta (1)
  • Federico García Lorca (1)
  • Fernando Pessoa (6)
  • ficción (12)
  • Fogwill (1)
  • Fotografía (7)
  • Francisco Brines (1)
  • Francisco Camps Sinza (21)
  • Frank O'Hara (1)
  • Friedrich Hölderlin (2)
  • Friedrich Nietzsche (4)
  • Gabriela Mistral (3)
  • Galway Kinnell (1)
  • Gelindo Casasola (1)
  • Gilberto Owen (1)
  • Giórgos Seféris (1)
  • Giovanni Quessep (1)
  • Giuseppe Ungaretti (1)
  • Gu Cheng (1)
  • Guillermo Sucre (1)
  • Günter Grass (1)
  • H.P. Lovecraft (1)
  • Hanni Ossott (5)
  • Harry Almela (2)
  • Heather Christle (2)
  • Heberto Padilla (1)
  • Henri Michaux (1)
  • Henrik Nordbrandt (1)
  • Hermann Broch (1)
  • Homero Aridjis (1)
  • Horacio Lozano (1)
  • Ida Gramcko (2)
  • Idea Vilariño (3)
  • Ingeborg Bachmann (2)
  • J. David Bermúdez (5)
  • Jaime Gil de Biedma (2)
  • Jane Zambrano (2)
  • Javier Marías (1)
  • Jeffrey Brown (1)
  • Jesús Miguel Soto (1)
  • Jesús Montoya (2)
  • Joe Brainard (3)
  • John Ashbery (1)
  • John Donne (1)
  • Jorge Edwards (1)
  • Jorge Galán (2)
  • Jorge Luis Borges (7)
  • José Ángel Buesa (1)
  • José Ángel Cuevas (1)
  • José Antonio Ramos Sucre (3)
  • José Miguel Navas (1)
  • José Saramago (1)
  • José Watanabe (1)
  • Juan Calzadilla (2)
  • Juan Ramón Jiménez (1)
  • Juan Sánchez Peláez (2)
  • Juana Bignozzi (2)
  • Julio Cortázar (1)
  • June Jordan (1)
  • Katherine Mansfield (1)
  • Kira Kariakin (1)
  • Las flores rotas blog de poesía (383)
  • Leonard Morrison (1)
  • Leopoldo María Panero (1)
  • Lily Someson (1)
  • literatura (9)
  • Lotty Ipinza (1)
  • Luís Alberto Crespo (1)
  • Luis Cardoza y Aragón (1)
  • Luis Cernuda (1)
  • Luis Enrique Belmonte (1)
  • Luis Moreno Villamediana (3)
  • Luz Machado (1)
  • Macedonio Fernández (1)
  • Mahmud Darwish (1)
  • Maiakovski (1)
  • Malú Urriola (2)
  • Manuel Acuña (1)
  • Manuel Bandeira (2)
  • Manuel del Cabral (1)
  • Márgara Russotto (1)
  • María M. Bautista (1)
  • Marianela Corriols (1)
  • Marina Tsvietáieva (1)
  • Mario Benedetti (1)
  • Mario Santiago Papasquiaro (1)
  • Martha Kornblith (3)
  • Mery Yolanda Sánchez (2)
  • Michel Houellebecq (3)
  • Miguel Ángel Flores (1)
  • Miguel de Unamuno (3)
  • Miguel Hernández (2)
  • Miyó Vestrini (8)
  • Muriel Rukeyser (1)
  • Nadia Prado (1)
  • Nicanor Parra (1)
  • Norah Lange (1)
  • Octavio Paz (1)
  • Odette da Silva (1)
  • Olga Orozco (1)
  • Oliver Welden (1)
  • Oriette D' Angelo (1)
  • Oscar Hahn (1)
  • Oscar Wilde (1)
  • Osvaldo Lamborghini (1)
  • Pablo Antonio Cuadra (1)
  • Pablo de Rokha (1)
  • Pablo Neruda (4)
  • Pamela Rahn Sánchez (1)
  • Paul Celan (2)
  • Paul Éluard (1)
  • Paul Valéry (1)
  • Paul Verlaine (1)
  • PDF (1)
  • Pedro Garfias (1)
  • Pedro Salvador Ale (1)
  • Películas (1)
  • Philip Larkin (2)
  • Poesía (285)
  • Poesía venezolana (90)
  • Poetry (33)
  • Quevedo (1)
  • Rafael Arráiz Lucca (1)
  • Rafael Cadenas (4)
  • Rafael Maya (2)
  • Rainer María Rilke (1)
  • Raúl García Palma (3)
  • Raúl Zurita (1)
  • Renato Leduc (3)
  • Reseña (2)
  • Reynaldo Pérez Só (2)
  • Ricardo Ramírez Requena (1)
  • Robert Frost (1)
  • Roberto Bolaño (1)
  • Roberto Juarroz (2)
  • Roque Dalton (1)
  • Rosandra Trejo (1)
  • Rosario Castellanos (1)
  • Rubén Darío (2)
  • Saint-John Perse (1)
  • Salvador Novo (2)
  • Samuel Beckett (2)
  • Sara Teasdale (1)
  • Selección de poesía venezolana (1)
  • Sergei Esenin (1)
  • Sharon Olds (4)
  • Shelley (1)
  • Swinburne (1)
  • Sylvia Plath (1)
  • Thomas Bernhard (1)
  • Tristan Corbière (1)
  • Valenthina Fuentes (2)
  • Venezuelan Poetry (3)
  • Verónica Silva Alsina (1)
  • Vicente Gerbasi (2)
  • Vicente Huidobro (1)
  • Víctor Valera Mora (1)
  • W. H. Auden (1)
  • Walt Whitman (1)
  • Wislawa Szymborska (1)
  • Wordsworth (1)
  • Yannis Ritsos (2)
  • Yéiber Román (1)
  • Yolanda Pantin (2)
  • Yves Bonnefoy (1)
  • Zbigniew Herbert (1)

Popular Posts

  • LOS GRITOS (EXTRACTO)
      Goya, "No grites, tonta" (1796-1797) Vanessa creía escuchar gritos en el cuarto de huéspedes. Su tío Claudio, el “cojito”, como ...
  • EL MAL MONJE
      Armand Guillaumin, "Mademoiselle Guillaumin Lisant" (1907) En las grandes paredes de los claustros antiguos se mostraba en escen...

Datos personales

Mi foto
Las Flores Rotas
Ver todo mi perfil
Created By SoraTemplates | Distributed by GooyaabiTemplates